PENTEDATTILO FILM FESTIVAL 2011

For the visual tension and the quiet emotion with which the film tells, with sheer filmic solutions, the silent obstinacy of a woman wounded, but not defeated, by life. Between the narrative folds there is poetry praising pathos and leading to emotion, in a crescendo of emotions held together until the final explosion. But what does this film convey: It strikes the originality of the animation, which, with its Gothic reminiscences, moves the possibilities of computer animation a step further. For the intensity of its eye and the deep interest shown by the director towards an issue that can not make us not think. The style enhances the scriptwriting which, in change, returns the favour, in a perfect blend of creativity and modernity. This overbearing transition from the rurality of the past to the modernity of the future is conveyed by minimal details opposed to perfect tracking shots that accompany the two main characters from the top of their mountains to the skyscrapers of Shanghai rising, symbolically and biblically, between the clouds after having demolished history, leaving intact the tradition. This is Babel, an important production as far as investment and craft are concerned.

At his death his body will eventually rest in the same dump that nourished him during his short life. This is Babel, an important production as far as investment and craft are concerned. An award that goes to both narrative and directorial skills. And when, out of curiosity, Jasper tries to bite a small leaf of lettuce, here he is poisoning himself and writhing in disgust and pain, until he goes to seek solace and salvation in a tanker. In such visual and resounding thunder, the final ending persists in the eyes and in the memory: The main characters alternate strength and weakness; each of them maintaining their own role until the final decision. The touching story of little Zaira, who collects daisies for a friend killed by the war until a final ending where other more implacable daisies, the “Daisy Cutter”, will enable her to reach him blasting her off in the umpteenth attack made in the apparent daily quietness of a place in perpetual conflict.

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Between the narrative folds there is poetry praising pathos and leading to emotion, in a crescendo of emotions held together until the final explosion.

But what does this film convey: It strikes the originality of the animation, which, with its Gothic reminiscences, moves the possibilities of feestival animation a step further. The main characters alternate strength and weakness; each of them maintaining their own role until the final decision.

Daisy Cutter is a pentedaattilo that leaves its mark just like the bombs from which it takes its name, because, like them, it is cruel and unforgiving. This is Babel, an important production as far as investment and craft are concerned.

JURY – Pentedattilo Film Festival

For the visual tension and the quiet emotion with which the film tells, with sheer filmic solutions, the silent obstinacy of a woman wounded, but not defeated, by life.

We are on the verge of food collapse, billions of mouths to be fed, and here is the stroke of genius of the film, the ultimate metaphor: An award that goes to both narrative and directorial skills. The touching story of little Zaira, who collects daisies for a friend killed by the war until a final ending where other more implacable daisies, the “Daisy Cutter”, will enable her to reach him blasting her off in the umpteenth attack made in the apparent daily quietness of a place in perpetual conflict.

Metin, Turkey For the visual tension and the quiet emotion with which the film tells, with sheer filmic solutions, the silent obstinacy of a woman wounded, but not defeated, by life. And when, out of curiosity, Jasper tries to bite a small leaf of lettuce, here he is poisoning himself and writhing in disgust and pain, until he goes to seek solace and salvation in a tanker.

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In such visual and resounding thunder, the final ending persists in the eyes and in the memory: The style enhances the scriptwriting which, in change, returns the favour, in a perfect blend fwstival creativity and modernity.

For the engaging subject of a film played on an excellent level of tension.

For the intensity of its eye and the deep interest shown by the director towards an issue that can not make us not think. A remarkable example of how France supports and believes in culture, even in its less profitable forms, as a short film may be.

This overbearing transition from the rurality of the past to the modernity of the future is conveyed by minimal details opposed to perfect tracking shots that accompany the two main characters from the top of their mountains to the skyscrapers of Shanghai rising, feztival and biblically, between the clouds after having demolished history, leaving intact the tradition.

A film whose humour is subtle and never banal, full of clever and amusing ideas.

At his death his body will eventually rest in the same dump that nourished him during his short life.